Viv & Riley bring "Imaginary People" to the UK, Netherlands and Germany this month

The latest album, Imaginary People, by Vivian Leva and Riley Calcagno — going by Viv & Riley— is an easygoing set of folk-pop reflections, warm as a long, slow drive in late September sun. The sound is sweet and the mood evocative as the songs take various back roads to the past. They bring the album to the UK, Netherlands and Germany this whole month:

14/01: Oxford, UK - Jericho Tavern
15/01: Southport, UK - The Bijou Cinema 
16/01: Glasgow, UK - The Hug & Pint
17/01: Newcastle, UK - The Globe
18/01: Sheffield, UK - Greystones
19/01: Whitstable, UK - Whitstable Sessions
21/01: London, UK - UK Americana Music Week
22/01: London, UK - UK Americana Music Week
23/01: Isle of Wight, UK - String Bar & Venue
24/01: Brighton, UK - The Folklore Rooms
26/01: Volendam, NL - Pop- en Cultuurhuis PX 
27/01: Eindhoven, NL - Americana Mondays
28/01: Den Haag, NL - Gr8
29/01: Solingen, DE - Valve Records
30/01: Groningen, NL - Der Aa-Theater

In the opening track of Imaginary People, Viv takes a sentimental journey back to Kygers Hill, her childhood home. It sounds sprightly, but there’s an ache. Autumn looms on the horizon. Wild strawberries in the Blue Ridge Mountains: “Cresting over Kygers Hill / While late summer moves through the fields.” Nostalgia saturates the album. Bleached sunlight and faded scrapbooks. It’s followed by another past-life haunt, Sauvie Island, with its “peeling paint off concrete.” The scenery flickering with the silhouettes of former selves. It’s golden-hour music. Pretty but sad. Later on, in the dreamy torch reflection Flashing Lights, Viv sings, “It feels like a lifetime since I felt free / When we stayed out all night / Danced underneath the moonlight/ Back when you fell in love with me”

The journey is filled with glimpses and regrets; lingering looks in the rearview mirror, considering what might have been to bring us here; travelling as we are and with whom we are in this moment. Perhaps the most stirring song is the title track— An Appalachian rhythmic hymn of self-examination. “These days all I can put on are personalities.” Which reminds us our most turbulent relationship is the one with ourselves.

The album sounds dreamy and sun-dappled, thanks in part to the bright rich production from Alex Bingham of Hiss Golden Messenger, but also to each song’s bittersweet tone. Brewing a mix of Kacey Musgraves’ Golden Hour and the blue mountain gloom of the best Welch and Rawlings. Things conclude on the traditional, The Blackest Crow, where two lovers make promises to each other as the lights go out, “If ever I prove false to you/ The rugged seas shall burn”.